Artists in War

As a response to the full-scale Russian invasion, our team launched the “Artists at War” program to support Ukrainian artists. Supported artists have already begun to create reflective works on the war.


Yurii Musatov


54 х 32 х 31 cm.


2022 year

The sculpture from «My explosions» project has a very tragic social color. Here the author uses the visual «petrification» of dynamic structures, of somehow crazily movement that leads a priori to destruction. However, in this case we are dealing not so much with this «frozen destruction» as it seems at the first glimpse, but as the need to rethink the moment of it. Some sense of tragedy accompanies humanity since the beginning of time. After all, nowadays we are constantly learning from the news about different kinds of disasters and catastrophes. The media image of the explosion is ingrained in our minds as something that cannot be avoided. We are used to live with this  strange fear, even some kind of desperation that some day something really terrible must finally happen. And here we are. The war. The horrible invasion has happened. We are living in such times when really every moment can be the last one, every breathe, every glimpse, every word. And that’s truly unfair.

The image of explosion pursues us in art – cinema, literature, and now in everyday life, literally. Has humanity retained the ability to respond empathetically to tragedy? Can a person empathize with the victims of a catastrophe? We often do not have the opportunity to think about it,  because the footage of «explosions» like a newscast is rapidly running before our eyes. Therefore,  when the author «stops» it,  we are able personally re-realize the tragedy. Not even the tragedy itself as a trouble and misfortune,  but the moment that precedes. This is an important borderline situation when everything had been just fine and there the explosion happened that would change everything.

This project is about how difficult it is for a person to comprehend such a rapid vortex of modern life, to preserve humanity in this vortex. Capturing the tragic moment, the author deliberately uses common media images of the explosion – the «mushroom». He aestheticizes it, giving it a soft, round shape and a harmonious color. He gives us the opportunity to rethink about this moment that precedes the destruction, about this nostalgic feeling what could have possibly happened instead.

Veronika Cherednychenko

Painting from the series “The First Week”

Pencil, paper

200 x 120 cm.

2022 year

Olya Kuzyura

“Relative security” series

2022 year

The development of this theme in artistic practices is an opportunity to open a wider discussion around the future security standard, which the residents of Eastern Europe are ready to live by.

Relative security is how living conditions within the territory of Ukraine are characterized. It’s the place where no hostilities are taking place at the moment, the hot phase of confrontation does not continue there. Security, which is the basis for any life in Ukraine, has become conditional.The bodily dimension of existence can simply be broken at any time. The sound of air alarm reminds the body of its fragility. Security as a condition for the emergence of life, security as a condition for the preservation of life has ceased to be constant. The external threat is so great that we have to build security through new things to make room for it to continue. The models of our historical memory have made us authors of our own narrative about security. We have become accustomed to resisting and adapting to harsh conditions, again to continue to evolve.

I form visual works-documents, texts that capture the moments of breaking the security paradigm. New norms of perception are invading the temporary present. The security that we have and that we show to the world.

The aim is to document the changes in the understanding of that term today. Joint development of a new understanding of the basic need for security will help to form a strong common denominator for modeling the future in such a changed reality.

As a basis, the artist used her sketches created in February, as materials she used trifles found in the shelter and in the storeroom of the house where she temporarily lives.

The series is being supplemented.




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