Artists in War
As a response to the full-scale Russian invasion, our team launched the “Artists at War” program to support Ukrainian artists. Supported artists have already begun to create reflective works on the war.
54 х 32 х 31 cm.
The sculpture from «My explosions» project has a very tragic social color. Here the author uses the visual «petrification» of dynamic structures, of somehow crazily movement that leads a priori to destruction. However, in this case we are dealing not so much with this «frozen destruction» as it seems at the first glimpse, but as the need to rethink the moment of it. Some sense of tragedy accompanies humanity since the beginning of time. After all, nowadays we are constantly learning from the news about different kinds of disasters and catastrophes. The media image of the explosion is ingrained in our minds as something that cannot be avoided. We are used to live with this strange fear, even some kind of desperation that some day something really terrible must finally happen. And here we are. The war. The horrible invasion has happened. We are living in such times when really every moment can be the last one, every breathe, every glimpse, every word. And that’s truly unfair.
The image of explosion pursues us in art – cinema, literature, and now in everyday life, literally. Has humanity retained the ability to respond empathetically to tragedy? Can a person empathize with the victims of a catastrophe? We often do not have the opportunity to think about it, because the footage of «explosions» like a newscast is rapidly running before our eyes. Therefore, when the author «stops» it, we are able personally re-realize the tragedy. Not even the tragedy itself as a trouble and misfortune, but the moment that precedes. This is an important borderline situation when everything had been just fine and there the explosion happened that would change everything.
This project is about how difficult it is for a person to comprehend such a rapid vortex of modern life, to preserve humanity in this vortex. Capturing the tragic moment, the author deliberately uses common media images of the explosion – the «mushroom». He aestheticizes it, giving it a soft, round shape and a harmonious color. He gives us the opportunity to rethink about this moment that precedes the destruction, about this nostalgic feeling what could have possibly happened instead.
Painting from the series “The First Week”
200 x 120 cm.
“Relative security” series
The development of this theme in artistic practices is an opportunity to open a wider discussion around the future security standard, which the residents of Eastern Europe are ready to live by.
Relative security is how living conditions within the territory of Ukraine are characterized. It’s the place where no hostilities are taking place at the moment, the hot phase of confrontation does not continue there. Security, which is the basis for any life in Ukraine, has become conditional.The bodily dimension of existence can simply be broken at any time. The sound of air alarm reminds the body of its fragility. Security as a condition for the emergence of life, security as a condition for the preservation of life has ceased to be constant. The external threat is so great that we have to build security through new things to make room for it to continue. The models of our historical memory have made us authors of our own narrative about security. We have become accustomed to resisting and adapting to harsh conditions, again to continue to evolve.
I form visual works-documents, texts that capture the moments of breaking the security paradigm. New norms of perception are invading the temporary present. The security that we have and that we show to the world.
The aim is to document the changes in the understanding of that term today. Joint development of a new understanding of the basic need for security will help to form a strong common denominator for modeling the future in such a changed reality.
As a basis, the artist used her sketches created in February, as materials she used trifles found in the shelter and in the storeroom of the house where she temporarily lives.
The series is being supplemented.
from the series “Voices of Pedestals”
The work is about an unborn child and a ruined future. The figure of a woman swinging a bundle of wire is a monument to the care that was taken from her.
Fireclay mass, water, pigment.
In this work, the author conveys the form of rage and pain that has not left her since the beginning of the full-scale invasion. Violence — emotional and physical — traumatizes Ukrainians every day. It forms a new terrain of our perception of the world, leaving deep traces in it that are unlikely to get rid of.
from the series “Once in time, then out of time”
“Once in time, then out of time” consists of imperative texts and signs. This is an ongoing series, which is based on a quick reaction to the current historical moment, the “state of affairs” or the political climate. “Once in time, then out of time” is conceived as a speculative ensemble of works-reactions that can take the form of statements, appeals or slogans, project proposals and other illusions that can lose their relevance and political power.
War brings a lot of issues that can be dismissed as unimportant or untimely. But they are by no means are less important, since there is life after the war. After witnessing the debate around the proposal regarding legalization of same sex marriages in Ukraine and reading some of the stories about people of non-traditional sexual orientation facing discrimination while serving in Armed Forces of Ukraine, it is became clear to the author that he has something to say on the matter myself as an artist.
Author’s position is that love has no gender. And that the general public should educate itself a bit more on this issue, open their hearts and minds to the idea that not everything should confine to an aged set of beliefs that is becoming more and more obsolete in the modern world. He, along with millions of others, was severely impacted by works of the members of the LGTBQ community down the years. It breaks his heart to witness the discrimination his compatriots from these social groups, who are putting their health and lives on the line for our country and our common goals, are expieriencing. They deserve exactly the same civil rights as the rest of us and, more importantly, the right to love without fear. Some of them are shedding their blood on the battlefields at this very moment, which is nothing short of admirable and inspiring.
To come up with a composition that would relate to what he feels and thinks about the issue he’s tried to create something that was not noisy and aggressive, but rather deep with a hint of intensity. The percussion sounds used allude to drops of blood and he’s tried to make his lead synthesizer sing. Also, there’s a homage to one of the movement’s classic anthems made decades ago.
Now the rainbow bleeds to protect and liberate us. We should reply in kind.